Bobit SegismundoPhilippines
CLOSE
Born in Manila, Philippines and a product of University of Santo Tomas. Studied Fine
Art, major in Advertising and worked in advertising, publishing and service industry in
the Philippines, Hong Kong and Saudi Arabia.
BA (Major in Advertising) 1974, University of Santo Tomas, Manila, Philippines.
Exhibition
2012
Hatching, Dotting and Other Things', Karin Weber Gallery, Hong Kong
2011
‘Haraya 3’, Group Show, Hong Kong Central Library, Hong Kong
‘Why Not What’s Not’, Two-Man Show, Hong Kong Centre for Visual Arts
2010
‘Haraya 2’, Group Show, Hong Kong Cultural Centre, Hong Kong
2009
‘Haraya 1’ Group Show, Hong Kong Centre for Visual Arts
‘Color, Culture, Harmony’, Group Show, Hong Kong Cultural Centre
‘Detour 2009’, Live Mural Painting, Former Police Married Quarters, Hong Kong
2008
‘Chronicles of Pain’, Four-man Show, Osage Gallery Soho, Hong Kong
2007
‘Drawing on Square’, Group Show, Fringe Club, Hong Kong
2006
‘First Glimpse’, Group Show, A Survey of Philippine Artworks in Hong Kong, Hong Kong Central Library
2002
‘Subconsciously Surreal’, Fringe Club, Hong Kong
Seminar/Workshop
2010
‘Mix Media Art and the Fun Of Doing It’, Hong Kong Museum of Art, presented by LCSD and HKMOA
Association/Membership
Member Art Association of the Philippines
Member Hong Kong Mural Society
Chairman HARAYA Group of Hong Kong-based Filipino Artists
Member Hong Kong Teacher Association
Born in Manila, Philippines and a product of University of Santo Tomas. Studied FineArt, major in Advertising and worked in advertising, publishing and service industry in
the Philippines, Hong Kong and Saudi Arabia.
BA (Major in Advertising) 1974, University of Santo Tomas, Manila, Philippines.
Exhibition
2012
Hatching, Dotting and Other Things', Karin Weber Gallery, Hong Kong
2011
‘Haraya 3’, Group Show, Hong Kong Central Library, Hong Kong
‘Why Not What’s Not’, Two-Man Show, Hong Kong Centre for Visual Arts
2010
‘Haraya 2’, Group Show, Hong Kong Cultural Centre, Hong Kong
2009
‘Haraya 1’ Group Show, Hong Kong Centre for Visual Arts
‘Color, Culture, Harmony’, Group Show, Hong Kong Cultural Centre
‘Detour 2009’, Live Mural Painting, Former Police Married Quarters, Hong Kong
2008
‘Chronicles of Pain’, Four-man Show, Osage Gallery Soho, Hong Kong
2007
‘Drawing on Square’, Group Show, Fringe Club, Hong Kong
2006
‘First Glimpse’, Group Show, A Survey of Philippine Artworks in Hong Kong, Hong Kong Central Library
2002
‘Subconsciously Surreal’, Fringe Club, Hong Kong
Seminar/Workshop
2010
‘Mix Media Art and the Fun Of Doing It’, Hong Kong Museum of Art, presented by LCSD and HKMOA
Association/Membership
Member Art Association of the Philippines
Member Hong Kong Mural Society
Chairman HARAYA Group of Hong Kong-based Filipino Artists
Member Hong Kong Teacher Association
CLOSE
The mystery of da Vinciʼs, the emotion of Baconʼs, the 3 dimentional cubism of Picassoʼs, the sadness of Kahloʼs, the imaginary concept of Daliʼs, the playfulness of Miroʼs, these are my inspirations and influences that got me into this exhibition collection. WHO WOULD NOT BE TOUCHED BY THESE MASTERS IF YOU ARE AN ARTIST?
I used some of these mastersʼ elements, projection and approach and incorporated them to my works and the result is emotional, strong, intriguing and amusing but most of all, I was able to put my own identity on them. The use of cross-hatching method plus an occassional touch of pontielism coming from the tip of ink pens that shows the interacting and thick layering of lines
created an almost solid rendering of elements and projecting my visual ideas with just red, blue
and black produced a somber dark result that identifies my work.
I used some of these mastersʼ elements, projection and approach and incorporated them to my works and the result is emotional, strong, intriguing and amusing but most of all, I was able to put my own identity on them. The use of cross-hatching method plus an occassional touch of pontielism coming from the tip of ink pens that shows the interacting and thick layering of lines
created an almost solid rendering of elements and projecting my visual ideas with just red, blue
and black produced a somber dark result that identifies my work.
