Born in Suzhou in 1950. 1981 graduated from Suzhou Art School. The artist lives and works in Suzhou, China.

2007
'Lost Wilderness', Karin Weber Gallery, Hong Kong

2004
'The Realm of Art and Non-Art-Jili', Catherine Asquith Gallery, Melbourne, Australia
'Sense: A photography exhibition', Suzhou Art Museum, China

2002
'Wilderness', Karin Weber Gallery, Hong Kong

2001
'Jili', Karin Weber Gallery, Hong Kong

2000
Queensland Art Gallery Asian Pacifica Artists group exhibition curated by Zoe Butt, Australia

1999
3rd Shanghai Air Fair, Shanghai

1995
3rd Chinese Art Fair, Guangzhou, China

1993
Clushel Art Gallery Exhibition, Manuka, ACT, Australia
John Paul College Art Festival, Queensland, Australia
Albany Art Exhibition, Perth, WA, Australia

1991
Chinese painting exhibition at Cultural Centre Kaohsiung, Taiwan

1989
Zhang brothers exhibition, Art Collection Hall, Sydney, Australia

Award
1992
36th Recliffe Spring Painting exhibition Queensland, Australia

Collection
Standard & Chartered Banking Group Hong Kong

His Pool-side series is a celebration of life. The pool is at first glance hidden from the viewer and one is confronted with abstract shapes and lines almost painful to the eye. Yet, one is drawn back to the canvas discovering the magic pool. From this plants and animals begin to climb and spread more and more...

His Desert Genre series draws on his experience of living in Australia and captured the vastness of the land meeting the horizon, the color of the soil and infinite light.

His Wilderness series in earthy browns, orange and yellows whilst abstract puts the viewer inside a vast barren landscape of valleys and empty planes. Yet is does not feel desolate or hopeless.


Lost Wilderness:

Symbols, colours, shapes: my subconscious mind starts spilling them out. They repeat and repeat but nothing is ever the same. Instead I focus on one scenic point and as Kandinsky witnessed, when you constantly enlarge one point, the status infinitely changes.

The colours fuel my inspiration and they start to mix creating a limitless, timeless concept that, when viewed in even the dimmest of light becomes a complete picture.

Here I am happy with the colour, the oil, the point, the light; the combinations please me; everything is one and one is everything.