Wang XiaoluoChina
CLOSE
Born 1981, Anhui Province,
Graduated from Xu Beihong Art Academy, Renmin University of China.
2007
Attended Li Chang China Traditional Painting Yearly Exhibition. Works collected by China Literature and Arts Foundation (China Arts Museum).
3rd Chengdu Biennale exhibition (Chengdu Modern Arts Museum)
Modern Arts college student's yearly nomination exhibition (Beijing Today Museum)
2006
Korea Modeling Arts Exhibition
Artist visits to Korea for learning communication
2004
'Save as' 10 painters Exhibition (Thousand Years Gallery, Beijing)
1st National Arts College, China Painting Major Students Works Serial Exhibition (Exhibition of Research Institution of China Traditional Painting)
2003
2nd China Chinese Painting Exhibition
Graduated from Xu Beihong Art Academy, Renmin University of China.
2007
Attended Li Chang China Traditional Painting Yearly Exhibition. Works collected by China Literature and Arts Foundation (China Arts Museum).
3rd Chengdu Biennale exhibition (Chengdu Modern Arts Museum)
Modern Arts college student's yearly nomination exhibition (Beijing Today Museum)
2006
Korea Modeling Arts Exhibition
Artist visits to Korea for learning communication
2004
'Save as' 10 painters Exhibition (Thousand Years Gallery, Beijing)
1st National Arts College, China Painting Major Students Works Serial Exhibition (Exhibition of Research Institution of China Traditional Painting)
2003
2nd China Chinese Painting Exhibition
CLOSE
Living in the noisy city, I glimpse beautiful young women. Flitting thru crowds, their figures are partly hidden, partly visible, faces made up like elaborate decorated masks. They seem charming and attrractive.
I take these fashionably dressed women as models for my works. To me they are modern and outstanding, but also tender and lovely.
I use the colours in Chinese traditional paintings, taking ink, blusher, cinnabar and cyanine etc. for the shadow of the eyes, red of the cheek, hallow of the lip and black for the hair.
I look at the beauties, watching them drawing their masks, while I draw them.
I take these fashionably dressed women as models for my works. To me they are modern and outstanding, but also tender and lovely.
I use the colours in Chinese traditional paintings, taking ink, blusher, cinnabar and cyanine etc. for the shadow of the eyes, red of the cheek, hallow of the lip and black for the hair.
I look at the beauties, watching them drawing their masks, while I draw them.


