‘4 Chairs’ captures the haphazard spirit found on the streets of Hong Kong. By encountering the sculpture from different perspectives, the nature of its silhouette changes – shifting from a state of passivity to activation. From faraway, its stacked shape reveals its functionality, as if it was one chair waiting to be used. From up close, however, the details of its abandonment signals how it sits in its final resting place, waiting to be unfolded.